HORTUS DELICIARUM IS SHOWN IN A NEW PARIS BOUTIQUE IN PLACE VENDÔME
Gucci’s bringing some sparkle to Paris’s 1st arrondissement with the brand’s first foray into the world of high jewelry.
The new Hortus Deliciarum line, which is influenced by the colorful and multi-faceted visions of Alessandro Michele, contains over 200 pieces (many of them one-of-a-kind). The collection’s inspiration stems from interpretations surrounding the mythical gardens of Eden, Arcadia, and Xanadu, while also drawing from the organic hues and symbolism of nature.
Three primary themes guide the narrative of Hortus Deliciarum: eternal love, the animal kingdom, and solitaires. Tiger, lion, and Ouroboros serpent iconography make appearances alongside pink and blue sapphires, white diamonds, yellow beryls, mandarin garnets, honey-colored topaz, pearlescent opals, and glittering aquamarines. According to Michele, the gemstones are purposefully mismatched in honor of the spirit of imperfection, therefore creating a sense of “dis-cordant symmetry.” Gucci also pulled from a variety of opulent, historical artistic movements, such as Rococo, Baroque, and Georgian, to cultivate a sense of luxury and refinement in every brooch, necklace, and ring. The collection is an ode not only to Gucci’s rich history of imagery and ingenuity, but also Michele’s uninhibited maximalist aesthetic and inventiveness.
The line will be sold at a brand new 16 Place Vendôme location, which situates the boutique amongst some of the finest jewelry retailers in the world. The interior of the store exudes a muted, old-Hollywood sort of glam: dark-panelled wooden display cases are paired with luxurious, turquoise green satin upholstery, which allows the color palette of the jewels to speak for itself.
INTERIOR OF GUCCI’S NEW BOUTIQUE
Along with creating the covetable collection of high jewelry, Gucci has committed itself to responsibly sourcing the gold it utilizes. Additionally, many of the materials used in Gucci’s collection are ethically sourced with the aid of initiatives such as the Kimberly Process and the Kering Responsible Gold Framework, which strive to combat corruption and inequality in the mineral mining industry, underscoring the fact that luxury doesn’t have to be at an environmental and social cost.
Gucci Hortus Deliciarum high jewelry is now available at the 16 Place Vendôme boutique.
Silvia Venturini Fendi Location : Villa Reale A change of location for the Fendi Menswear 2020 Spring/Summer collection, marking the beginning of the post Karl Lagerfeld era. A new atmosphere with a show that takes place in the shadowy gardens of the Villa Reale. An outdoor show that revisits gardening uniform with elegance and in the DNA of the label. Collection: the collection is an ode to nature, the materials are light with cut-out, bucolic prints. Silvia Venturini Fendi chose to invite the Italian director Luca Guadagnino this season, who collaborated on the graphics of the prints and also on the music and the setting of the show. The clothes are decorated with multiple removable pockets. The trousers are split at the ankle. A functional wardrobe that sparingly combines a sartorial spirit and workwear. We see the craftsmanship of the Roman label through plaited leather sweaters lined with fur. The colour palette is soft and soothing, composed of shades of green, chestnut, beige and khakis… We find emblematic Péquin stripes, but also stylized flowers on cotton or silk shirts, on overcoats and on featherweight parkas. The jacket combines with Bermuda shorts for a chic and casual look. Long tunics with graphic patterns evoke a summer atmosphere and Luca Guadagnino’s childhood memories in Ethiopia. Note: the shoes made in collaboration with Moonstar, the woven raffia sunhat with FF imprinted and the large transparent nylon shopping bags, or the iconic Peekaboo or baguette bag remade in the spirit of collection, braided leather.. Featuring interviews with Silvia Venturini Fendi, Luca Guadagnino and Serge Brunschwing. Silvia Venturini Fendi: I wanted to recapture a sense of harmony, the same harmony that is given to me through nature. Personally, I am lucky to have a house in the countryside where I go whenever I have the time. One of my passions is gardening, growing my vegetable garden and roses. I asked Luca Gaudagnino to be my guest artist and therefore we really wanted to transport you to a dream or even a film and I think it is a beautiful place. Luca Guadagnino: The civilisation of gardening, the uniforms and Japan, all these elements sprung very quickly and simply between her and I. We then gave each other different ideas and references, from Bruce Chatwin to Ryūichi Sakamoto, to the world of uniform in the Japanese gardening culture. Serge Brunschwing : You have seen that it is amazing. Everything that the Fendi ateliers are capable of making and composing, small pieces of silk and fur. Put it all together and it is incredibly beautiful. We see a piece of work between two artists, Silvia and Luca, who know each other very well, who get along wonderfully, who composed together in this garden and this ode to nature. Show music (Only for use in context of the show, covered by the right to information)
“I am all about championing this new era of designers becoming the new rock stars,” wrote Virgil Abloh on the blog The Brilliance in 2007. Fast-forward a decade and Abloh is exactly that. The American designer has risen from a Chicago kid obsessed with fashion, art, design, and culture to the artistic director of Louis Vuitton’s menswear operation.
As Abloh prepares to take the reins at one of fashion’s most iconic brands, we’re looking back on his career trajectory, from onetime Fendi intern to Kanye West collaborator to Off-White founder and collaborator nonpareil.
Abloh was born on September 30 outside of Chicago. He and his sister are raised in nearby Rockford, by Ghanaian immigrant parents. Abloh attends the Boylan Catholic High School—official colors green and white—and graduates in 1998. His mother is a seamstress and teaches him the tricks of her trade.
Abloh completes his undergraduate degree in civil engineering at the University of Wisconsin–Madison. (In 2015, he would return to design commemorative tees for the university.) Rumor has it that on the day of his graduation, he skips his final critique to take a meeting with Kanye West’s then-manager John Monopoly. West and Abloh begin officially working together soon after.
Abloh completes his master’s degree in architecture from the Illinois Institute of Technology. During his time at IIT, a Rem Koolhaas building is completed, which Abloh says, “piqued my interest and opened my gateway into fashion.”
Abloh and West become interns at Fendi in Rome. Louis Vuitton CEO Michael Burke recently told The New York Times, “I was really impressed with how [Abloh and West] brought a whole new vibe to the studio and were disruptive in the best way. Virgil could create a metaphor and a new vocabulary to describe something as old-school as Fendi. I have been following his career ever since.”
Abloh and West, along with a crew of famous friends, make the rounds at Paris Fashion Week, turning heads in the process. They’re photographed by Tommy Ton for Style.com outside of the Comme des Garçons show in what becomes a widely circulated pic. Abloh tells W magazine, “We were a generation that was interested in fashion and weren’t supposed to be there. We saw this as our chance to participate and make current culture. In a lot of ways, it felt like we were bringing more excitement than the industry was.”
Abloh officially assumes the role of creative director at Donda, West’s creative agency.
Abloh art directs the album Watch the Throne by Jay-Z and West, an achievement that earns him a Grammy nomination. The album cover is designed by Riccardo Tisci, then the creative director of Givenchy, a role Abloh was rumored to be up for after Tisci’s departure in 2017.
Abloh launches his first brand, Pyrex Vision, in New York. He purchased deadstock Ralph Lauren flannel shirts for $40 each, and screen printed them with the word Pyrex and the number 23, an homage to his childhood hero, Michael Jordan. They sell for $550 each.
Abloh shutters Pyrex and founds Off-White, a multi-platform creative endeavor based in Milan. Its main medium is fashion. At Off-White, he combines ideas of streetwear, luxury, art, music, and travel, defining the brand simply as, “the gray area between black and white as the color Off-White.” From the get-go, hovering quotation marks become Abloh’s signature.
Abloh launches womenswear for Off-White and begins showing his men’s and women’s collections during Paris Fashion Week.
Abloh’s womenswear operation gains steam when Beyoncé wears a palm-print sweatshirt with the word Nebraska on it, an homage to Raf Simons’s Fall 2002 Virginia Creepers collection, in Nicki Minaj’s video for “Feeling Myself.” That same year, Off-White is named a finalist for the LVMH Prize. He loses the grand prize and special prize to Marques’Almeida and Jacquemus, respectively.
Abloh opens his first concept store in the Aoyama area of Tokyo. The store features a watercooler with Off-White branded cups that visitors take for free and resell on the secondary market.
Abloh debuts his Grey Area furniture collection in Milan, his first furniture venture under the Off-White brand. It features iron grid chairs, benches, and tables with leather cushions and Carrara marble tops.
Even with the announcement of a collaborative exhibition with Takashi Murakami opening at Gagosian; the release of his first song; the opening of his New York store; the British Fashion Award for Urban Luxe Brand; and collaborations with Warby Parker, Jacob the Jeweler, and Jimmy Choo, the biggest news for Abloh in 2017 is The Ten, his sneaker partnership with Nike. Abloh re-creates 10 of Nike’s iconic silhouettes in a work-in-progress style, each adorned with a safety tag around the laces. The limited release leaves the sneaker market hungry for more, and Abloh hosts panels and workshops with Nike and additional releases throughout the year.
Abloh is named the artistic director of Louis Vuitton’s menswear collections, stepping into the role vacated by his friend and mentor Kim Jones. “It is an honor for me to accept this position. I find the heritage and creative integrity of the house are key inspirations and will look to reference them both while drawing parallels to modern times,” he says in a statement.
This summer, he will perform at Lollapalooza.
Virgil Alboh’s artworks will be the subject of an exhibition at the Museum of Contemporary Art in Chicago, and his Ikea collaboration will be released through the brand’s international stores.
“I have read this and I felt inside of me these concepts, the judgment brakes the evolutionary growth”.
We are beings in continuous becoming. Ours is a journey, we are not stuck at a station but in a continuous path, in which each stop represents a change of identity given by a new experience.
Our mind is constantly changing because it is constantly maturing. For this reason it is useless to fix oneself on the judgment of others or on ours, it only makes us static. Everything changes, nobody can ever stop the evolutionary path of sentient being that sees the goal and not the intermediate stages.
Fixing oneself on the judgment of others, means letting oneself be imprisoned by a single character that we have in mind, which making us static, immersed in a stagnant energy slime.
The transmutation of being is continuous, there are many possibilities dormant within us. Endless flowers to blossom, new mental patterns. How billions of neurons change our mind every day. Every day we are new beings.
“We are not a small tree, but a forest of possibilities” …
Imaan Hammam in a crushed-velvet slip dress by Jonathan Simkhai and dangle earrings by Irene Neuwirth.
Photographed by Mikael Jansson, Vogue, November 2018
“The fashion instinct for red: It’s special . . . it’s a matter of temperament, looks, or both . . . ,” noted Vogue in 1963. A celebratory, look-at-me color, red was historically associated with passion, privilege, and power. Louis XIV, for example, famously wore scarlet heels and enacted sumptuary laws preventing those not in royal favor from following suit. Over time, the bold hue became linked to the festive holiday season via a certain cheery fellow with a beard “as white as the snow” and a suit as red as a . . . Coca-Cola label? Speaking to NPR, Arielle Eckstut, coauthor of The Secret Language of Color, explained that in 1931 the beverage company commissioned an illustrator “to create a Santa Claus” for promotional purposes. The artist drew one dressed in scarlet and with a physique that aligned with Clement Clarke Moore’s depiction of the “right jolly old elf” in his famous 1823 poem A Visit From St. Nicholas, which is now better known as The Night Before Christmas.
Combine red with velvet, a fabric with snob appeal (just look at Medici portraits or Francisco de Goya’s famous “Red Boy”), and you’ve got a winning, and upscale, combination that rises to the occasion. Like the cake that borrows its name, red velvet is a tried-and-true recipe for holiday dressing. The proof is in the pages of Vogue. Here, we track the trend as it was addressed by designers as diverse as Cristóbal Balenciaga and Marc Jacobs.
The debut of Lorenzo Marini in California, with the personal “Typevisual” at the prestigious Bruce Lurie Gallery in Los Angeles, which among the treated artists counts the great Jean Michel Basquiat and other international pop masters.The date coincides with the beginning of the Downtown Los Angeles Art Walking, the week in which the main contemporary galleries are open and organize the most prestigious events, to the delight of collectors moving from one gallery to another.
After the Museo della Permanente in Milan, the Venice Biennale, the Western China International art Biennale and the George Bergés gallery in New York, Marini thus brings his type to the West coast.
The Type art, theorized in the Manifesto “Movement for the Liberation of Letters”, published by Marini in 2016, focuses on the aesthetics of the letters and, in general, of the graphic sign. A rediscovery of calligraphy? Yes, but in reality much more. Marini has revisited the Western concept for which the letters of the alphabet, and, in general, the graphic signs, live exclusively connected to each other to create a functional link, a word. Each letter, for Marini, has its own aesthetic strength, and can live individually as a work of art. The artist finds inspiration also from the instinctive associations that every letter, since childhood, provokes in each of us. A contamination between rational thought – the defined word, in turn an element to express a concept – and imagination, which makes a letter assume a personality by itself, and does not limit itself to being one of the pearls that contribute to create a necklace.
A stylistic / conceptual process, which Marini has declined above all in a pop key.
And, as with all great artists, Marini’s research has no end. Type art is also developed in the third dimension, with installations that enhance its characters.
Letters, therefore, not aligned, to combine and give a complete sense, but increasingly free, in a sort of transition from the Apollonian to the Dionysian spirit, or, if you prefer, from the order in which we are accustomed to seeing the characters, to chaos, understood as a contemporary expression of beauty.
The temporary absence of a Gucci show – which will be presented in Paris – opens the door to a renewed Milanese fashion week, which includes special events of important residences and activities as the most anticipated shows in the city.
Moncler unveiled the second chapter of his Genius initiative on Wednesday, September 19th. The showcase is a novelty for Moncler, which debuted in its last direction in a special event before the Milanese shows, bringing together several international designers to create eight capsule collections in collaboration with the brand. Let’s see if you have a chance to see if Pierpaolo Piccioli, Craig Green, Simone Rocha, Hiroshi Fujiwara, Palm Angels and Kei Ninomiya – whose Moncler collections are falling after the other – will return for a renewed stint.
Emporio Armani missed the men’s program in June in favor of a co-show, which took place on Thursday, September 20th at 9:00 pm. The exhibition will feature a special exhibition on the show, which follows the previous one-off events of Emporio Armani in Paris and London. Lately, Giorgio Armani has been honest in changing his traditional show formats and making an impact with the new generations. He presented the haute couture show in July for Armani Privé in the observing the backstage: “People do not know the difference between couture, prêt-à-porter and sportswear.”
Gucci did not perform in Milan. Alessandro Michele brought the circus to the streets, presenting the first Monday in Paris. But he has no intention of renouncing the first day of the Milan program, which traditionally developed Gucci. Instead of the show, in collaboration with The Michael Clark Company. The dancer and choreographer set up a dance show for the evening, followed by Gucci with the club boys gathered in London in Milan. Clark has already participated in the short film by Gucci The Performers: Act VI for GQ .
Prada has found its new rhythm, compared to three percent last year. “Today the results of this transformation are visible and supported by many positive signs of the market,” declared the managing director Patrizio Bertelli in a statement. “We are constantly working to remodel the Prada Group”.
This winter we will see the return of the legendary Texan boots. The Texan mood makes you feel strong and unconventional, after having crossed the catwalks of the whole planet and being reproposed by the biggest fashion houses, now they are ready to become the cult object for many fashion victims.
The model is the Calvin Klein 2015 W39NYC , which Raf Simons offers in a super American version with a metal-reinforced toe and a flaming red, which is not as hot as it is. But it is not the only one. The Western style version boots are the real trend of the moment and are perfect already now, in this middle season, without having to wait for the beginning of spring. Hard and pure, like the most classic texan boots, but also revised and corrected, ready to be transformed into sabot, as we have seen them from Each X Other, Maison Margiela or Acne Studios, in a contamination of mood and unpublished and unexpected genres. This year, then, they wear everything: with jeans, but also with long dresses and evening dresses or with sporty dress (as we saw from Calvin Klein) for remix looks worthy of an it girl.
Discover the most beautiful models of Texan boots seen on the runways fashion shows and begin to imagine them with your next looks for the next season.
The Supreme phenomenon also involves publishing. A few days ago, the American brand inaugurated an unprecedented partnership with The New York Post, creating a special cover with the distinctive red logo. The unusual collaboration amazed the American media given the support that the conservative newspaper has always dedicated to Donald Trump, while the streetwear brand has donated revenues from sales of some products to families damaged by the president’s anti-immigration policies.
Thanks to the echo on social networks, the newspaper number, on sale at $ 1.50, was an immediate success. There was no lack of traditional online re-sellers, on eBay some copies cost 20 dollars. The collaboration with The New York Times recalls that signed by Supreme with the transport company NyctSubway and confirms the talent in being able to talk about themselves, on and offline.
In the years to come the company Bottega Martinese grows rapidly and specializes in outerwear: for men, jackets, coats, raincoats for women jackets, jackets, coats.
The items produced in series with the quality of the artisan tailoring soon conquered the local clientele, the peninsula and many foreign countries fascinated by the Made in Italy.
With Bottega Martinese, the outerwear, man or woman, the highest quality levels, thanks to meticulous workmanship, accurate finishing, the use of refined fabrics and new colors. The lines of the products are clean and essential, but just as refined and elegant.
The 94th Edition of Pitti Uomo, the international men’s fashion event which dictated the trends of the Spring-Summer 2019 season, has just come to an end. The opening ceremony, in the Salone dei Cinquecento at Palazzo Vecchio, saw the first official involvement of new Minister of Cultural Heritage and Tourism Alberto Bonisoli, who reiterated the importance of fashion for Italian culture and Florence. 1240 brands, of which 561 foreign (45% of the total), and over 20,000 buyers took part to the event. Important numbers, which define, even more so, the reputation and progress of this international trade fair.
The theme of this edition was P:O:P: Pitti Optical Power, a visual and virtual celebration of colour, with endless games of stripes throughout the square of the Fortress and in every stand, a colourful world that focused on young people, start-ups and emerging industries. Great attention was paid to avant-garde styles and cutting-edge designers, without forgetting the excellence of the new classic companies and the brands that revisit the modernity of sportswear.
There is a hair accessory that Pinterest loves in a particular way: the scarf. And you will immediately have eyes in your heart, because for the warm season it seems the complement of which your locks need. It gives you a chic but casual air, you can manage it as you prefer, turning it into a hair band, a bandana or a bow for your ponytail. Or if you love braids, it will be the “lock” to fit between the others.
The scarf is versatile, and, depending on your imagination, you can combine it with any style. There is only one small problem, but with our advice you can easily get around it. The fabric of which it is made, like silk, often tends to slip easily, especially if you have long, thin hair. If this is your problem, apply styling products that thicken and create more friction to keep your accessory in place.
To give you further push, know that since 2018 the designers have re-fallen in love and on the catwalks, from Dolce & Gabbana to Armani, have brought him back into fashion, creating an afro, hippy look inspired by the ’50s mood. And for the stars too, it has been a must-have ever-present beauty. What are you waiting for to experience it too? Here are some ideas to understand how to bring it and adapt it to your spring summer style.
Three great Italian fashion houses, three companies that base their roots in Tuscany, Roberto Cavalli, Gucci, Ermanno Scervino, are the three-axis that unleashes Pitti Uomo n. 94 the Florentine menswear show scheduled in Florence from 12 to 15 June, with 1,240 brands at Fortezza da Basso, 561 of which are foreign, which will be inaugurated at Palazzo Vecchio by the new Minister of Cultural Heritage Alberto Bonisoli.
Read the man trends here
At the opening of Pitti on 12 June Gucci celebrates the opening of two new rooms in the Gallery curated by Maria Luisa Frisa, inside the Gucci Garden created by the creative director of the maison Alessandro Michele in the historic Palazzo della Mercanzia, in Piazza della Signoria. In the Gucci Garden boutique will be presented new products in a single edition with the illustrations of an artist in his debut in collaboration with Gucci. Roberto Cavalli, guest star of this edition parades on June 13 marking the return of the brand in his city of origin. The new men’s collection is signed by Paul Surridge, new creative director of all the lines of the group, which since 2015 is 90% owned by the investment fund Clessidra Sgr. Ermanno Scervino celebrates the opening of the new boutique in Via Strozzi and on June 14th participates in the presentation of the Scervino -Fondazione Zeffirelli project, for which the students of Istituto Marangoni interpreted 12 outfits of the Domata Bisbetica. Giorgio Armani also inaugurates a boutique in via de ‘Tornabuoni.
On June 13th Cos presents Soma, a capsule based on comfort and design. For the launch, a special event will animate an evocative place in the city with the participation of the British choreographer Wayne McGregor. Birkenstock also chooses June 13 for its event in the Torrigiani Garden. On the platform the mood of the collection and music signed by Michel Gaubert. The Pitti Immagine Discovery Foundation presents Fanatic Feelings – Fashion Plays Football, a multimedia exhibition curated by Markus Ebner, founder of the magazines Achtung Mode and Sepp Football Fashion and the art critic Francesco Bonami, which highlights the attraction that the world of football has on fashion and male imagery. The exhibition held until 22 July, is visited in the complex of Santa Maria Novella.
The London-based designer Craig Green, a Pitti 94 menswear guest, will present his collection on June 14th. In its proposals emerge the ability to innovate the codes of menswear without losing sight of the dynamics of the market. A style that mixes workwear influences and futuristic volumes, sculptural silhouettes and functional aspects. The Japanese designer Fumito Ganryu, Pitti project, after the experience in the group Comme des Garcons presents on June 13 in Florence his independent label with an event. Pitti’s Guest Nation is Georgia on stage at the Spazio Carra in Fortezza, thanks to the support of Lelp Enterprise Georgia, the agency headed by the Georgian Ministry of Economy. The brands are: Aznauri, Anuka Keburia, Damian Gorge, Situationist, Tatuna Nikolaishvili, Vaska.
Two birthdays at Pitti: Herno celebrates 70 years with the Library in the former Leopolda Station; Lardini celebrates 40 of activities with an event at Fortezza. On 13th June, at Pitti, there will also be Moncler Genius 7 Fragment Hiroshi Fujiwara, the latter present. Federico Curradi returns to Florence on June 14 to present the homonymous collection with an installation-event in the garden of a noble palace. Emilio Pucci and Bonaveri meet to stage their creative skills. At Polveriera, Sease, a brand of Giacomo and Franco Loro Piana, introduces a concept on male passions. Nick Wooster X Paul & Shark is the capsule that tells the Italian brand seen by the American designer. The new line of Iceberg, Ice Play, made its debut with the world of street couture. On the occasion of the 80th anniversary of Candiani Denim, a special co-lab with the Los Angeles brand Atelier & Repairs, from which a 100% sustainable denim based capsule is born.
Prince Harry and Meghan Markle have been proclaimed husband and wife after pledging their love to one another at a fairytale wedding at Windsor Castle. After a service watched by an estimated global TV audience of 1.9billion, the new Duke and Duchess of Sussex emerged from the historic church set in the grounds of St George’s Chapel, beaming with delight.
Having walked his now daughter-in-law down the aisle, Prince Charles reduced guests to tears at the afternoon reception with a speech about his ‘darling old Harry’.They later left for the evening reception in ultimate style – taking a silver blue Jaguar E-Type Concept Zero, which was originally manufactured in 1968 and has since been converted to electric power to Frogmore House in Windsor.
The car’s number plate bore the date of the wedding – E190518 – and Prince Harry proved he was the perfect gentleman as he opened the door of a vintage car to let his bride step in, as he drove her to their private evening reception in a scene akin to a James Bond film.
Earlier, at the top of the vast West Steps, where the West Door was decorated with hundreds of cream and white flowers and green foliage, Harry and his bride stopped and kissed to the delight of cheering onlookers. An estimated more than 100,000 well-wishers lined the streets of Windsor to cheer the newlyweds as they started their married life with a tour in an open-topped Ascot Landau carriage.
The Queen’s grandson and the American former actress, who is now an HRH and a member of the British royal family, said their vows in front of 600 guests including the monarch and more than 30 members of the Royal family. Ms Markle wore a stunning elegant white gown – with a white veil and boat neck – was created by British designer Clare Waight Keller, the first female Artistic Director at French fashion house Givenchy. Prince Harry and his best man the Duke of Cambridge are both wearing the frockcoat uniform of the Blues and Royals.
As they met at the altar, Prince Harry told his bride “you look amazing”, to which Meghan replied “thank you”. The couple tenderly held hands and exchanged smiles during the wedding ceremony.
Ms Markle’s delicate veil was five metres (16ft) long and made from silk tulle, with a trim of hand-embroidered flowers in silk threads, with two of her page boys carrying the ends as she made her way up the steps. Her hair was styled in an up do and she wore the glittering Queen Mary’s Diamond Bandeau tiara, loaned to her by the Queen. The pair set off on an open-top carriage ride through the streets of Windsor where an estimated more than 100,000 well-wishers had descended on the town for the royal nuptials.
As they paused on the steps, a smiling Ms Markle looked up at her new husband and asked: “Do we kiss?” Harry replied with a discreet: “Yeah.” The new Duke and Duchess travelled in the Ascot Landau waving to the thousands of royal fans lining the streets and up the Long Walk, with Ms Markle exclaiming “wow” at their rapturous welcome.As the horse-drawn carriage returned to Windsor Castle ready for a lunchtime reception in the magnificent St George’s Hall, Prince Harry quipped: “I’m ready for a drink now.”
Ahost of stars were invited to join the happy couple in the chapel including US chat show queen Oprah Winfrey, tennis champion Serena Williams, actor George Clooney and his barrister wife Amal Clooney, Sir Elton John, David and Victoria Beckham and actor Idris Elba. Prince Harry and Ms Markle gazed into each other’s eyes as they exchanged vows. The Duke of Cambridge, in his role as best man, stepped forward to deliver the rings, with the couple smiling as they placed the bands on each other’s hands.
Unlike his brother, Prince Harry has chosen to wear a wedding ring.
Loud cheers could be heard from outside St George’s Chapel as the Archbishop of Canterbury proclaimed the couple husband and wife. Prince George and Princess Charlotte did not follow directly behind Harry and Meghan as they made their way back up the aisle, like the other bridesmaids and page boys.
Instead, the youngsters held the hand of their parents the Duke and Duchess of Cambridge as they made their way out of the chapel. Ms Markle has become the first mixed race person in modern history to marry a British senior royal. She found fame in the US legal drama Suits playing the character Rachel Zane, and a number of her former co-stars, including Patrick J Adams and Gabriel Macht, were there for her big day.
Penelope Cruz, Cate Blanchett, Kristen Stewart, the beauties of cinema arrive in Cannes
The hairstyles, the eyeshadows are dressed in natural shades and the lips become (almost) the object of art. Almost to recall the desire of that romantic kiss that exchange Jean-Paul Belmondo and Anna Karina in the film The bandit of the 11 by Jean-Luc Godard, manifesto of the 71st edition of the Cannes Film Festival.
The beauty looks on the Croisette are confirmed, already from the early evening, a series of strokes of class that the madness “sacred and profane” of the Met Gala 2018 react by giving us the fairy tale of impeccable make-up and elegant collections.
In short, a real taste lesson to the parisienne with that touch of Hollywood style that makes this red carpet one of the most admired of the year, always full of beautiful inspirations: «The red carpet will be invaded by apparently unstructured, unstructured hairstyles: like beach waves, low bun, ponytails. A big trend will also be the fringe: long, chic, short, we’ll see it everywhere “, tells us live from Cannes Stéphane Lancien, International Hairstylist of L’Oréal Paris.
While a few minutes from the start of the red carpet Simone Belli, National Makeup Artist L’Oréal Paris reveals what the trend make-up will be: «I predict smokey eyes with blue, red or purple notes. Obviously you will not give up even the less colored but always rather intriguing shades like those of bronze and black. The lips will certainly be present, in all their sensuality and elegance in the bright tones of red. And then the finish glow, an indelible form of many looks because it gives three-dimensionality and a very glamorous look. The secret to increasing its effect? Mix warm and cold tones on temples because it multiplies the particularity of the result making it easier to wear and with more facets ».
So, two weeks of film festival, with 21 films in competition, presided over by a jury of beautiful including Australian actress Cate Blanchett , president of the Official Selection, who reconfirms already from the first photocall her sophisticated blond blonde lob combined with a complexion porcelain, Kristen Stewart with her unmistakable rock tuft and Léa Seydoux who will hardly betray her beloved red lipstick.
To move the Croisette, in addition to a river of cinephiles, will be the arrival of national and international actors and actresses such as Penelope Cruz accompanied by her husband Javier Bardem, Emilia Clarke, Valeria Golino, Alba Rohrwacher, Riccardo Scamarcio, Annabelle Belmondo, Georgia May Jagger and many other tops and socialites. So, ready for this cine-beauty marathon?
The theme of this edition, inspired by the exhibition Heavenly Bodies: Fashion and the Catholic Imagination , on the intertwining of fashion and Catholicism, and most of the guests – with the Hollywood gothic almost complete – took it literally. Competition of daring between Rihanna , in the paprika version, Katy Perry decorated by an angel and Sarah Jessica Parker , complete with a tabernacle on her head. The singer (pictured), who this year was chosen by Anna Wintour as one of the organizers of the Met Gala , did not make any compromises, along with John Galliano and the style office of Maison Margiela he decided to present himself with an ecclesiastical outfit, provocative in the lengths (with corset and minidress half-covered by a long skirt), sumptuous in decorations, with precious stones and jewels, and a real papal tiara, the headgear used by the Popes starting from Middle Ages until the 20th century. The flashes of the photographers were however able to indulge also with the clerical outfits of Madonna (in the black gothic style dress of Jean Paul Gaultier with a crown just from Madonna), Sarah Jessica Parker (with baroque dress and long train of Dolce & Gabbana and a votive tabernacle worn on long hair), Cardi B , squeezed into a long Moschino dress with a celestial crown, and Katy Perry, theatrical in her Versace minidress with spectacular feathered wings. The singer Ariana Grande has even reproduced on the Vera Wang signed the Last Judgment of Michelangelo , while the trio Alessandro Michele , Lana del Rey and Jared Leto opted for three white and blue Gucci looks with decorations that recalled liturgical vestments. Filed the worldly red carpet hangover, now the eyes are on the show, which will open to the public on May 10: edited by Andrew Bolton, required years of preparation, even for long negotiations with the Vatican, which has lent some works. The main sponsors are the spouses Schwarzman of New York ( Stephen Allen Schwarzman is the co-founder and CEO of Blackstone) , very devoted to Pope Francis .
Princess dresses, extraordinary volumes and precious embroideries: those seen in Paris are dreamy looks. Which we will see wearing the stars in the next red carpet.
The week of Haute Couture in Paris closes, like any self-respecting Fashion Week, dictates the trends of the next season: those of luxury squared, and that, surely, we will see worn by the stars on the next Oscar night. The Haute Couture Spring Summer 2018 fashion shows have made us dream with princess dresses, extraordinary volumes and waterfalls of rhinestones. But there are several common thread that the choices of the couturier have in common.
Starting from the feathers, an inevitable detail in any collection. Totalizing by Elie Saab who uses them from head to toe, they are spectacular on Valentino’s impalpable hats. Maxi and colored, they make the effect of gaudy clouds that follow the models step by step.
Even the frills conquer the designers and from Giambattista Valli is a real triumph of rouches. Pastel tulle, layered endlessly, cover drafts, bodices and puffed sleeves to catapult us into a real fairy tale.
Maxi volumes by Alexandre Vauthier, Alexis Mabille and Stephane Rolland, whose satin cloaks resemble those of the Pontormo and Rosso Fiorentino paintings.
Heat the engines. 20 – 26 February 2018. The Milan Fashion Week Fall Winter 2018 2019 is about to begin and is announced to say the least rumbling, full of events, events and news not to be missed, not only for insiders, press, buyers and fashion people in I come from all over the world, but also for those who live in Milan every day.
With over 64 fashion shows, 92 presentations and 18 events on the calendar the February 2018 fashion week will be more lively than ever. To confirm the strength and strength of our fashion system there are the extremely comforting data of the Italian National Chamber of Fashion: the turnover of the Italian fashion industry in 2017 recorded a + 2.5% compared to 2016 and an increase in exports 4.3%, thus tracing growth. In short, the economic trends open the way for a certainly positive 2018 and a February in style. And this edition will demonstrate it with its many novelties.
Of course, among the guest stars on the front row of the Milan fashion shows there will be no Chiara Ferragni (who from her IG stories announced her decision to stay in Los Angeles to prepare for almost imminent birth) and we will probably no longer see “human walls” of street style photographers willing to block the city and tilt the traffic while photographing it (see above as it happened in September 2017 before the Fendi Spring Summer 2018 fashion show) but the show must go on. And do not worry! Do not miss it girl, model, celeb, new faces and influencers (true or aspiring) ready to contend for flash, photographic objectives and hashtag top trending: social side now inalienable for a week that will have its fulcrum and sacred focus in fashion Made in Italy.
Yes, this year more than ever, it will be our fashion to be the true protagonist of Milan Fashion Week: among the most important events of this Milan fashion week designed for the whole public (and not only for insiders) in fact, there is the ITALIANA exhibition. Italy seen in fashion from 1971-2001 with which the Italian National Chamber of Fashion, on the occasion of its sixtieth anniversary, celebrates the importance and value of Italian fashion. But not only! There are many new entries for the first time on the calendar: starting with Moncler, which is entrusted with the official opening of MMD on February 20 (find out more in the gallery), up to Tommy Hilfiger, who chose Milan as fourth stage of his #TOMMYNOW, passing the Italian Francesca Liberatore who after years on the runways of the New York Fashion Week “back” at home. Together with her, supported by CNMI, Christian Pellizzari, Lucio Vanotti and Angel Chen just to name a few to witness the attention of Camera Moda towards young talents. And then the fashion hub market dedicated to emerging designers including Giannico and the duo revealing Archivio, to keep an eye on, or the inclusive fashion show (scheduled for February 27th and open to the public) and much more. Like the highly anticipated event by Anna Dello Russo of 24 February on the occasion of the publication of the book published by Phaidon AdR Book: Beyond Fashion: an evening in which Christie’s will auction 30 total looks from Anna’s personal archive followed by a dinner hosted by Swarovski and a party that promises to be the most exuberant and sparkling ever!
Do you want to know every news of this Milan Fashion Week and be updated on what will happen from 20 to 26 February 2018? Everything you need to know in this gallery, to experience the fashion week as a real fashion insider. Are you ready?
Tom Ford will take the final spot on the men’s portion of the New York Fashion Week calendar next month with a runway show on Feb. 6. The show will be held at 8 p.m. at the Park Avenue Armory, immediately following Joseph Abboud at 7 p.m.
Although Ford has shown his men’s wear in New York in the past, this will mark the first time the designer has shown his men’s collection alone during New York Fashion Week: Men’s. His most recent New York show was in September of 2017 when he kicked off New York Fashion Week with a women’s show at the Armory. His spring 2018 men’s line was shown in Milan.
Last month, the Council of Fashion Designers of America said that it had pushed back the dates of New York Fashion Week: Men’s slightly to Feb. 5 through Feb. 7, immediately preceding the women’s shows that start on Feb. 8 — and creating one big 10-day dual-gender event. At the time, Mark Beckham, vice president of marketing for CFDA, hinted that another “big-name designer” was about to jump onto the men’s calendar, but it took until Monday for Ford to be identified as that designer.
Ford’s addition to the calendar will give a boost to the men’s portion of the week, which has been filled mainly with emerging brands. The big names that will be participating this time around will be Raf Simons, who will close the men’s portion of the calendar on Wednesday night Feb. 7, along with Abboud, Perry Ellis — which is returning to the calendar this season — and Hugo Boss.
There are certain movie scenes that are so iconic that they still retain their importance in the pop-culture lexicon, even decades later. When Holly Golightly, played by Audrey Hepburn, stepped out of a yellow cab and sauntered to the window of Tiffany & Co. in the 1961 film “Breakfast at Tiffany’s,” with Henry Mancini and Johnny Mercer’s “Moon River” playing in the background, such a scene was created.
As Holly ate a croissant and carried a cup of coffee, she was still, unfortunately, on the outside of the building. Since 1837, Tiffany’s has been a preeminent luxury jeweler and not a place where you could actually have breakfast. However, that changed on Friday, with the opening of the Blue Box Café, at the company’s venerable flagship store at Fifth Avenue and 57th Street in New York City. Menu items will be seasonal and reflect a sophisticated take on a variety of New York dishes.
Located on the fourth floor of the building, which houses a recently renovated home and accessories section, the café is a bright, airy space, with the “Breakfast at Tiffany” breakfast starting at $29. The offering comes with coffee or tea, followed by a croissant and seasonal fruit and rounded out with your choice of a buttermilk waffle, smoked salmon and bagel stack, truffle eggs, or avocado toast.
The prix fixe lunch, which includes a starter and main courses like the Fifth Avenue salad, with Maine lobster, grapefruit and poppyseed dressing, and an olive-oil poached salmon, with caviar and smashed potatoes, costs $39.
With a nod to the long-heralded regality of the location, there is also a “Tiffany Tea” menu offering ($49), featuring teas by Bellocq, as well as a selection of finger sandwiches and bakery items. Individual sweets and warm beverages are also available, from an espresso ($5) to a slice of chocolate mousse cake ($12).
The café, outfitted with tables that can accommodate many different group sizes, is accentuated by heavy usage of the company’s classic robin’s-egg blue motif on everything from the walls to the plates. Only two blocks from the southern boundary of Central Park, the café has an excellent window view of the popular destination.
With many traditional retailers losing customers at their brick and mortar locations to online competitors, there has been an increased focus on cultivating experiences for shoppers. Tiffany’s recently opened a temporary concept store in Manhattan’s Rockefeller Center, with another location set to open in nearby Grand Central Terminal. Both stores will feature a selection of jewelry, home items and accessories.
According to Reed Krakoff, the chief artistic officer of Tiffany & Co., who led the redesign of the café and the adjoining home and accessories section, there was an emphasis on showcasing modern luxury. “The space is experimental and experiential – a window into the new Tiffany,” Mr. Krakoff said in a statement.
For generations of Hepburn fans, the outsized presence of the flagship store has allowed them to retrace her steps from the movie, but now they can truly have breakfast at Tiffany’s, 56 years after the film’s release.
Furs never miss the appeal of fashion shows, so I’m not an absolute novelty to see on the catwalk for the fall winter 2017 2018. The talk of a true return to fashion seems almost controversy as they rule sovereigns among the trends of cold season after year. Once again Fendi is an absolute champion, capable of decimating fur in a thousand variants. But beside him there is also Gareth Pugh who plays Gothic, for Gucci is total white. Whether ecological or natural fur (see mink fur), the imperative is to represent it with the innate class of those who want to bring forth primitive female instinctuality. A gentle, soft instinct, warm as a hug.
Fur, queen of coats, is also among the most controversial of every season. And on the one hand it continues to be a huge trend on the catwalks, on the other there are more and more brands that decide to marry the fur free philosophy (last in the order of arrival is Gucci) and to realize coats in synthetic fur and faux fur . The fashion trend of this Fall Winter 2017-2018, then, points to the colorful furs that seem to be the most funny coats of the moment. Starting with Miu Miu wearing a flamboyant and strictly ecological style footwear, coupled with maxi pendant hats for a cozy & crazy mood. Yes, this winter requires softness and much, so much color! Do you want to dare? From the bright green faux fur Giorgio Armani to the synthetic fur in orange version is the new black of Topshop Unique, passing through the inlaid fur coats seen from Missoni to the “vacuum effect” eco-design signed by Calvin Klein and the many proposals in pink , fucsia and surroundings, here are the ideas from the catwalks, also fur free, with which to decline the season’s trend in Autumn Winter 2017-2018.
The New York fashion week runway shows registers a flight (to Paris), and echoed by raising the price of admission. Or rather, selling the ticket-invitation to fashion shows in September. The IMG , which specializes in organizing events, for years involved in the preparation of some fashion shows, launches “NYFW: The Experience”. The project, aimed at top clients, offers a package of experiences including the opportunity to attend the parades in premium seats, a custom tour behind the scenes Q & A with industry insiders, an opportunity to meet designers and models, visits to showroom, make-up service affiliated salons, styling services, gift bag and much more according to buyer demands. The phenomenon is a kind of legalization of the service offered by some touts who were starting to take foot especially online.
“It is an experience created to selected individuals who want to live close to the energy of the fashion week,” he told WWD Mark Shapiro , co-chief executive officer of WME / Img. “We have an incredible request, the fashion shows are the last mega-event marketing and historically the consumer has always been excluded, this service will give the opportunity to experience the parades to those who are not journalists or buyers,” explains the manager . Prices for personalized services are not available, but apparently the Big Apple continues to attract the attention of the fashion victim.
The announcement of ticket-invitation came at a critical time for New York, to the ever-growing light exodus of luxury brands. Just this week, the list of emigrants to Paris has become even more dense. At Proenza Schouler , Monique Lhuillier and Rodarte , present at the last Paris fashion couture week, it added Joseph Altuzarra who, along with Thom Browne , will march under the Eiffer Tower for ready to wear female September.
The American media have emphasized the phenomenon apocalyptic tones, from Nicole Phelps , director of online section Vogue Runway : “It is one of the most considered brand, the most influential of the calendar; New York has lost a good chunk of his new guard “.
He tried to throw water on the fire Steven Kolb , president and CEO of the Council of Fashion Designers of America. “There are four brands – told Fashionista – who decided to show in Paris for different reasons at different times, and each of them has taken this decision not because there were problems with the NYFW or something wrong with the NYFW, but because there was an opportunity in Paris. If you asked each of them think that would confirm that this is not a negative statement against New York, but the opportunity to show the collections in a different market. “
For now, compared to a loss of these names, the Big Apple boasts the return of Rihanna , who after two seasons in Paris, will bring its line Fenty Puma in New York.
Italian wine is one of the most difficult regions to get to know. Why? Well for one, the Italians use an esoteric wine labeling system, much like the French. But that’s not even the biggest problem in terms of familiarizing yourself with Italian wines. The hardest part is learning all the different grape varieties.
At the moment, there are about 350 official Italian wine varieties. There have been rumors that over 2,000 different Italian grapes exist, but this might be a bit of an exaggeration– something Italians do well.
See an easy to understand map of Italian wine regions and major wine varieties. Learn about the 20 Italian wine regions and which ones to try first when delving into Italian wines.
With the arrival of the beautiful season, there is the ideal time to discover the genuine flavors of Chianti’s lands. Tenuta Belvedere welcomes visitors to Wine Tour who want to make this wonderful tasting experience. Tenuta Belvedere is set on the beautiful Florentine hills of Chianti DOCG, a few kilometers from Florence, in the town of Rignano sull’Arno. For its guests, it organizes tastings in the company that represent a unique opportunity to enjoy excellent Tuscan vinification products. The wines of the Tenuta Belvedere wineries are born in accordance with the ancient wine tradition, landscape and peasant tradition. Love for nature is found in every taste of Chianti tasted.
Tenuta Belvedere has its roots in the troubled times of the fights between Guelphs and Ghibellines. For more than a century, a branch of the powerful Mozzi family, wealthy bankers who had the management of the Pontifical Treasury, retained the property… http://www.tenutabelvedere.it
If mini dresses aren’t your thing, get your hands on maxi dresses and take your style to new lengths. An all year round style staple for any girls wardrobe, it’s the perfect choice for chic everyday style and going out glamour. Go for an open-back, body-hugging style for your next night out look, or work it in a maxi dress, cut-out and metallic details perfect for those party season vibes. Let your legs do the talking with a sexy front split, or go for the cover-up and let your attitude to the talking. Add some heels and jewels to your basic block colours, or dress it down with some ankle boots and a killer coat for those casual feels. Whatever the weather, go maxi.
Milan Fashion Week warms the engines. And brings home one day more than a calendar. This is a first concrete result, waiting to understand what the past week’s announcements will be about the super week of fashion, so that it is waiting for days for an official communication (a press conference) that clarifies on projects , Commitments, synergies and collaborations.
The September Prêt-à-Porter fashion shows, the women’s men’s calendar, for the first time after years, boast a real week (September 20-26). To confirm it is the official website of the National Chamber of Italian Fashion: no longer canons six but seven days that will see the succession of more and more parades together, including Bottega Veneta, Gucci, Antonio Marras and for the first time Etro, Missoni, Jil Sander and Trussardi. Always on Cnmi’s website it is learned that the seven-day formula will cover the next 2018 (21-27 February, 19-25 September) appointments.
The changes did not only affect Milan but also New York and, in particular, London. The relayship between the fashion week in the two cities will be somewhat interrupted for a day rather than running uncomfortably as usual. From September 7th to 13th, Nyfw and from 15 to 19, London’s Spring / Summer 2018 proposals will be on show. In the shadow of the Big Bang, Emporio Armani will join the company, which, in conjunction with the renovation of the store in Bond Street, It will be absent from Mfw as it did last autumn when it had chosen the Paris fashion week to celebrate the restyling of the store and Armani Caffè de Saint-Germain. Among the novelties are the first London show of the Nicopanda brand by Nicola Formichetti, the 20-year-old Roland Mouret and the arrival of Tommy Hilfiger who, after the Great Apple and Los Angeles, will travel to the British capital on September 19 with the formula ‘see Now-buy now ‘.
Plaits appeared on the spring/summer 2017 catwalks in every imaginable form – from skater-girl braided buns at Dior to bohemian skinny plaits at Roberto Cavalli and romantic rope braids at Valentino and everything in between. As Guido Palau told us backstage at Dior, “there’s a plait to suit everyone”. Pick your favourite style below.
Complement spring’s sporty silhouettes with extra-long twin braids – at Emporio Armani, extensions were woven into the plaits so that they reached down to models’ waists.
Guido Palau cited skater girls as one of the references for the plaited buns he created at Dior, worn scraped back from the face and offset by J’Adior earrings.
Bohemian girls will be immediately drawn to the laid-back styles at Roberto Cavalli – softly tousled waves with two skinny plaits at the front.
James Pecis’s cool-girl braids at Simone Rocha were complemented by dewy skin and baby-hair strands around the face, giving models a post-workout look somewhat less sweaty than the reality.
For the true romantic, Valentino’s extra-long loose plaits were fastened low at the nape of the neck, whilst stray strands of hair around the face made for a pretty, youthful look.
Preen By Thornton Bregazzi
Forgetting the scene-stealing face flowers by Val Garland just for the moment, the plaits at Preen By Thornton Bregazzi were messy, haphazard and anything but preppy.
Archived beanie, abandoned Basque, hat you’ll want to wear this spring will (only) the baseball cap. He is the new hairstyle chosen by influencers and fashion editor to the latest fashion weeks in New York, London and Milan. Much more comfortable than a styling and much more cool of a new short haircut, the hat with a visor this Spring Summer 2017 PURE trend. But how to wear it in the routine of day-by-day avoiding the effect bad girl in high school? Try to match it to be business woman coats with shoulders 80s style Miroslava Duma, or look at the last trench + hoodie
NEW YORK, NY – FEBRUARY 13: Models wearing cap outside 3.1 Phillip Lim on February 13, 2017 in New York City. (Photo by Christian Vierig/Getty Images) *** Local Caption ***
NEW YORK, NY – FEBRUARY 12: Helena Bordon is seen wearing a red coat from Gucci seen in the streets of Manhattan after the Victoria Beckham show during the New York Fashion Week February 2017 on February 12, 2017 in New York City. (Photo by Timur Emek/Getty Images)
NEW YORK, NY – FEBRUARY 13: Miroslava Duma wearing a black coat, flex cap, hoody outside Proenza Schouler on February 13, 2017 in New York City. (Photo by Christian Vierig/Getty Images)
A wine fair takes place annually every February in Florence to celebrate the completion of the 2016 production year in Chianti.
On Sunday, February 12, Chianti Lovers Anteprima (Preview) is back once again to invite wine lovers to be among the first to sample 2016 Chianti not yet released on the market.
Representatives from over 100 estates will pour 500 types of wine. Due to the enormous success of the past two editions, this year’s event will be held at the Fortezza da Basso in order to guarantee the tasting of wines in a relaxing and pleasurable manner.
The fair offers a chance to familiarize with the quality and the characteristics of Chianti 2016 and the Chianti Riserva 2014 from the subzones of Chianti Rufina, Colli Fiorentini, Colli Aretini, Colli Senesi, Colline Pisane (the hills around Florence, Arezzo, Siena and Pisa) as well as six additional Tuscan denominations. Doors will be open for the public from 4 to 9 pm with €15 admission (accessibility at 9:30 am is limited to trade professionals and journalists).
Chianti Lovers Anteprima welcomes visitors who are passionate about wine but also those who wish to investigate the mysteries
involved and the excitement of evaluating them. It is a chance to experience the meanings of the intense ruby colors, or hints of fruit or spicy notes on the nose, or on the palate the nuances of wild berries, vanilla, chocolate, leather or tobacco with overall smooth tannins.
These expressions refer to just some of the unique aspects of Chianti and their terroir, a unique environmental context contributing to the variety of flavors that can be distinguished. Moving among the stands there is an atmosphere of enjoyment and of feeling special as producers who are eager to hear critiques of their wines greet guests.
The term “Preview” means that the Chianti wines are still very young but still are able to give an idea of their quality and mature characteristics. In the coming months the vintages will continue to develop fragrances and aromas to express the robust quintessence of the Sangiovese grape.
A new feature of this year’s Anteprima will be the presence of a number of diminutive red Ape three-wheelers, which have slipped down from the hills of Chianti. The farm vehicles will be buzzing through the streets and squares of central Florence starting on Tuesday from 9 am to 5 pm, offering tastings directly from wineries.
These Chianti carts will provide an opportunity to acquire discounts on the tickets for the Sunday event. Late afternoon on Friday, 10th February 10 there will be a special pre-dinner aperitif offered in one of the main piazzas in town.
SIR PAUL SMITH LANCERA’ LA SUA NUOVA COLLEZIONE A-I 2017
Paul Smith ha scelto Pitti Immagine Uomo 91 (Firenze, 10 – 13 gennaio 2017) come palcoscenico per l’evento di lancio della sua collezione PS by Paul Smith Autunno-Inverno 2017.
Linea contemporary lanciata nel maggio 2016, PS by Paul Smith attinge allo stile iconico di Paul Smith, che si caratterizza per i colori e le stampe decisi, aggiungendo tessuti tecnici e performanti.
Dal lancio della collezione sono stati inaugurati 11 negozi PS by Paul Smith in tutto il mondo, tra cui Londra, Parigi, Hong Kong, Osaka e Seul, e nuove aperture sono in programma.
Paul Smith ha scelto Pitti Uomo 91 come occasione e contesto ideale per presentare la sua collezione, con una speciale fashion installation negli spazi della Dogana di Via Valfonda, e con la partecipazione al salone, alla Sala delle Colonne della Fortezza da Basso.
“Sono lieto di lanciare la mia collezione PS by Paul Smith a gennaio in occasione di Pitti Uomo”, dice lo stilista. “Ho lavorato per la prima volta con Pitti Immagine nel 1993, e sono stato il primo stilista a sfilare all’interno di un luogo iconico come la Stazione Leopolda. Sono vent’anni che attendo di sfilare nuovamente a Firenze, e spero che sarà un evento sorprendente!“
Pitti Immagine Uomo 91 si terrà a Firenze dal 10 al 13 gennaio 2017. Nell’arco delle quattro giornate ospiterà un ricco programma di eventi speciali, più di un migliaio di espositori, pop up stores, sfilate e progetti digitali interattivi.
LUCIO VANOTTI PRESENTERA’ LA SUA COLLEZIONE FW17
LUCIO VANOTTI_ Classe 1975, Lucio Vanotti porta avanti con la sua ricerca un ideale di moda razionale e purista. Tra i finalisti di “Who is on next? Uomo” 2012, fonda il brand Lucio Vanotti nel 2012. Selezionato da Giorgio Armani per sfilare nell’Armani Teatro, nel giugno 2016 sfila a Firenze in occasione dell’ultimo Pitti Uomo, tra i giudizi entusiastici della stampa internazionale. Riducendo ogni capo a forme essenziali, le sue collezioni disegnano geometrie assolute, che avvolgono il corpo con raffinata naturalezza. Lucio Vanotti presenterà la sua collezione FW17 alla Dogana.
“Sono molto entusiasta dell’opportunità di presentare la mia prossima collezione di nuovo a Pitti Uomo”, dice Lucio Vanotti. “É la naturale conseguenza di una positiva esperienza passata. Rispetto alla precedente edizione voglio concentrarmi solo sull’uomo, rivisitando il concetto di formale e filtrando il bagaglio storico del classico attraverso la mia visione riduzionista, all’insegna di un’eleganza comoda. Da sempre la mia estetica è stata influenzata dal vestire maschile classico, e proprio questo sarà l’oggetto di partenza della prossima collezione.“
PITTI ITALICS è un programma promosso da Centro di Firenze per la Moda Italiana con il contributo di Ministero dello Sviluppo Economico, Agenzia ICE e realizzato da Fondazione Pitti Immagine Discovery in occasione di Pitti Immagine Uomo n. 91.
Menswear Guest Designer di Pitti Uomo 91 è Tim Coppens.
“È un grandissimo onore essere stato scelto come Menswear Guest Designer di Pitti Uomo 91. Sulle orme di molti grandi stilisti, sono entusiasta all’idea di far sfilare la mia collezione a Pitti Uomo, il palcoscenico internazionale più prestigioso, e non vedo l’ora di condividere questo momento eccezionale a gennaio!” Tim Coppens
Belga, Tim Coppens si è diplomato nella celebre Royal Academy of Fine Arts di Anversa. Ha lavorato con vari marchi sportswear e di lusso, prima di fondare la propria label a New York nel 2012. La sua prima collezione è stata subito ordinata da Barneys New York e da altri prestigiosi retailer internazionali. Fin dalla sua prima stagione, Tim Coppens ha ricevuto un forte sostegno e apprezzamento sia dagli addetti ai lavori che dalla stampa. WWD lo ha selezionato come una delle “10 of Tomorrow” Rising Stars. Il suo brand fonde artigianalità, tailoring e riferimenti all’athletic wear, con continui richiami alla street culture e a quella speciale energia, tra presente e futuro, che caratterizza la vita nelle grandi città.
PALTÒ: Dai miti del cinema italiano alla nuova era del cappotto made in Italy
Paltò si propone sul mercato come la Fabbrica del Cappotto Made in Italy. Paltò si è ispirato da subito ai miti del cinema italiano ed internazionale, e non poteva essere che per l’icona indiscussa della nostra cinematografia la prima dedica in collezione: Marcello Mastroianni. Nel ventennio della sua scomparsa, a lui viene omaggiato “Marcello”, uno dei capi più rappresentativi dell’eleganza italiana senza tempo. Un cappotto a manica raglan, proposto in volumi ampi e vestibilità loose.
L’evoluzione del concetto di sartorialità che un tempo era garanzia di esclusività, si traduce in chiave contemporanea nella reinterpretazione dei classici: dai Galles proposti in filati chinè e aspetti tridimensionali, ai check declinati in chiave grafica su lane pettinate o in jacquard, fino all’effetto mohair. Un’attenzione particolare va ai nuovi uniti: bouclè rivisitati in superfici armaturate e coloriture melange, chevron tono su tono, panni militari e velluti lavati a coste.
ISETAN–TOKYO: UNA SPECIALE INIZIATIVA DEDICATA AI BRAND DI PITTI UOMO
Per celebrare Pitti Immagine Uomo a Tokyo, Isetan Shinjuku, Isetan Salone Man a Marunouchi e lo store Isetan presso l’aeroporto di Haneda, tra i più importanti department store al mondo, ospiteranno uno speciale progetto promozionale di moda maschile: i clienti avranno la possibilità di fare preordini, in esclusiva, di una selezione di marchi di Pitti Uomo. E in più saranno presentati gli eventi e i protagonisti del salone di Firenze.
LES BENJAMINS: IL SOFISTICATO URBANWEAR DEL BRAND TURCO DEBUTTA A PITTI UOMO 91
E’ un debutto a Pitti Uomo quello dello streetwear brand di stanza a Istanbul Les Benjamins che sceglie il salone per presentare il suo universo creativo menswear e il suo nuovo concept di retail.
Fondatore e direttore creativo di Les Benjamins, Bunyamin Aydin ha dato vita al collettivo creativo nel 2011, ben presto distinto all’interno della new wave creativa sulla scena turca e internazionale. Les Benjamins è nato per celebrare la diversità delle persone, della loro cultura, storia, religione e lingua che si riflette nella moda, con sfumature preziose e sofisticati accenti di stile.
Sincretismo tra oriente e occidente, le sue creazioni esplorano le nuove frontiere dell’urbanwear, combinazione di print innovativi – frutto delle migliori tecnologie digitali – e texture e materiali artigianali. Come ogni collettivo che si rispetti, anche il brand ha dato corso nel tempo a numerose collaborazioni che spaziano dal mondo dell’arte a quello della musica, hip-hop soprattutto, ottenendo riconoscimento e apprezzamento da celebrieties come Travis Scott, Asap Nast, Jaiden Smith, Cara Delevigne, Woodkid, Rita Ora o le top model Barbara Palvin e Jourdan Dunn.
Les Benjamins è presente worldwide: Beymen, Harvey Nichols & Brandroom in Turchia, Layers London, Saks Fifth Avenue New York & Los Angeles, La Rinascente Milano, Le Printemps Paris, Tsum Moscow e Shinsegae a Seoul.
JAPAN NEW WAVE: A TALK WITH SULVAM
“Vorrei semplicemente che chi indossa i miei capi possa essere felice”. In questa frase che racchiude un sentimento dal sapore quasi naif, se rapportato ai rigidi schemi del mondo della moda, sospesa in quell’eterno dualismo tra creatività e business, si svela tutta la passione e il talento di Teppei Fujita.
Classe 1984, il designer giapponese è l’anima del brand sulvam che sfilerà in occasione di Pitti Uomo 91, grazie a uno speciale accordo con la Japan Fashion Week Organization.
Diplomato al Bunka Fashion College, con alle spalle una lunga collaborazione presso la maison Yohji Yamamoto, Fujita dà vita a sulvam nel 2014, guadagnando presto il consenso degli addetti ai lavori internazionali, dai top retailer alla stampa: si aggiudica il “Tokyo Fashion Award” nel 2014, è uno dei vincitori di “Who is on Next? Dubai” nel 2015 e presenta le proprie collezioni in occasione della Paris Fashion Week. Il suo stile fa tesoro della lezione del grande maestro giapponese, sviluppando un tailoring reinterpretato in chiave fortemente contemporanea, con un focus su tessuti di grande qualità e silhouette innovative.
Sure, it would be great to stay in celebration mode forever, but eventually you have to hit the reset button on your life. Here, 10 easy ways to do it.
1. Be Radiant
If you buy only one new skin-care product during the long, dry winter months, make it a luminosity- enhancing serum, such as Kypris Beauty Elixir III Prismatic Array ($150). It’s chock-full of antioxidants like vitamin C, which brings tired, dull complexions into the light, and is gentle enough for those who have sensitive skin.
2. Boost Your Lashes
For an instant eye-brightener, reach for a tube of Maybelline New York The Falsies Push Up Angel Mascara ($10). Its name is as long as its staying power but more important is its brush—a fan-shaped, short-bristled wonder—that ensures curled, are-they-real-or-not? lashes with every swipe.
3. Get Fuller Hair
Nutrafol ($88), a blend of marine collagen, hyaluronic acid, and vitamin E, is the buzziest hair-growth supplement around. Riawna Capri, who tends to the manes of some of Hollywood’s A-list (Jennifer Lawrence, Selena Gomez), swears by it. “I have seen a huge difference with my clients after taking it for three months,” says Capri. “Their hair is so much thicker, especially around the hairline.”
4. Shop Wisely
Lifestyle guru Gwyneth Paltrow’s Goop Clean Beauty is packed with advice on how to choose the right beauty products and how to eat better as well as clean-living tips like”Energy, enthusiasm, and glowing skin do take you pretty far, actually.” Amen to that.
5. Replace Your Lipstick
Red lip color will wake up your face in a flash. Our pick: Nars Velvet Lip Glide in Mineshaft ($26). This poppy shade is flattering on most skin tones, and it goes on like a dream, leaving behind rich, high-impact color that wears evenly and keeps lips soft all day long.
6. Find Your Zen
Get an Apple Watch for the holidays? Go launch its built-in Breathe app. “Wait,” you may be thinking, “I don’t need an app to tell me how to breathe.” And you would be right, but it does much more than that: It blocks out time for you to meditate, which studies have shown can significantly reduce stress and anxiety in just minutes. For non-Watch-havers, the Headspace app (from $6.24 per month) is a good option.
7. Whiten Your Smile
Already a devotee of Crest Whitestrips? The newest version, Crest Whitestrips With Light ($100), is souped-up thanks to the addition of blue-light technology, which works in conjunction with the strips you know and love to accelerate the whitening effect.
8. Exercise Anytime, Anywhere
You can get a serious workout with the Cody app (classes from $10), if you have access to a screen (yes, your phone counts). Big-time trainers (Ashley Galvin, Jacquelyn Umof, Dylan Werner) coach you through yoga, Pilates, HIIT, and barre classes streamed to you, on your schedule.
9. Repair Your Hair
Restore overworked strands to peak condition with b3 Demi Permanent Conditioner. This in- salon treatment combines the deep hydration of a mask with the rejuvenating qualities of a bond builder, leaving hair stronger and softer for up to 12 shampoos (from $45).
10. Self-Tan Smarter
Tan-Luxe takes the guesswork—and the smell—out of at-home tanning. Add a few drops of The Face ($50) or The Body ($60) to your moisturizer or body lotion of choice, and smooth evenly on your skin. In a few hours you’ll develop a natural, streak-free glow (without staining your sheets or clothing). Want deeper color? Use more drops. Simple.
Wherever Barbara Palvin goes, there’s a little dust storm of controversy. Back when she was a 19-year-old Victoria’s Secret model, Selena Gomez fans blamed her for the singer’s breakup with Justin Bieber after Palvin was spotted with him at a Broadway show. Palvin has since been linked to One Direction’s Niall Horan; she’s been seen partying with Ed Sheeran; and, since the Cannes Film Festival in 2016, she’s been rumored to be dating Formula 1 racer Lewis Hamilton.
On the day I chatted with Palvin, who is at home in the countryside outside of Budapest, she laughed at her reputation as a man-eater—though the laughter was undercut by a clear note of annoyance. Days earlier, a British tabloid posted a picture of her sitting on a man’s lap at an event for the Italian lingerie brand Intimissimi. “That’s not Lewis Hamilton! Barbara Palvin gets cozy with mystery man,” the headline gasped.
“Normally, I don’t let it get to me,” she tells me. The “mystery man” was, in fact, her Italian agent, a dear friend. “I actually hang out with a lot of guys, and whenever I hang out with a famous guy, I’m instantly dating them. So I just laugh it off.” This time, though, Palvin said the comments crossed the line. “It was: ‘Of course she’s hitting on that guy. He’s probably old and rich.’ Oh bravo, Daily Mail !”
No, Palvin doesn’t need to date rich men to belong to the jet set. “It drives me a little crazy that people would think that.”
The difference between feeling model-esque, not cinched, in your Balmain body-con dress may be just a few pounds—of water. “You can retain up to five pounds of extra fluid,” says Jeffrey Morrison, a physician and founder of the Morrison Center in New York, who suggests sipping water-eliminating teas like dandelion or fennel two or three times a day. (Try Traditional Medicinals Dandelion Leaf & Root Tea, $5.29 for 16 bags.) Other de-bloating elixirs: Ask your juice joint to press a celery-centric concoction, and take a 500-milligram parsley capsule twice a day.
Drink Two Glasses of Water Before Every Meal
“It sounds counterintuitive, but you need to drink water to lose water,” says Lauren Slayton, a nutritionist and founder of Foodtrainers in New York. Along with drinking a minimum of 64 ounces daily, Slayton recommends front-loading meals with two cups of H2O “for maximum appetite reduction; it’ll make you feel full and help you eat less.” Adds Vanessa Packer, a holistic nutritionist at ModelFit in New York, “Avoid seltzer and sparkling water—they cause bloating.”
Get Eight Hours of Sleep
“When you get seven-and-a-half to eight hours of sleep, your body is more equipped to get rid of stress hormones, and your metabolism improves,” says Morrison. And taking a vitamin D3 supplement daily may help you sleep better and therefore improve weight loss too. One theory is that when D3 is low, hunger hormones increase, and when you’re not deficient in D, melatonin—the body’s natural sleep aid—works more effectively. Slayton suggests taking 2,000 IUs of D3 daily.
Avoid All Processed Foods
Which means not only skipping the obvious culprits (chips, cookies, candy) but also anything that is prepackaged (store-bought bread, pasta, cheese), and even canned tuna and almond milk, which may be packed with sodium and sugar, respectively. Opt for whole grain bread from a local bakery; it won’t be heavily processed, and avoid anything made with white flour (it has no nutritional value), says Morrison. Skip all dairy too, including Greek yogurt. Replacing all inflammatory foods (sugar, wheat, dairy) with whole foods and vegetables can produce rapid results, Morrison adds.
“Your Spinning class will burn calories, but it won’t give you the powerful after-burn effect of HIIT.”
Carve Out Your Belly
Strengthening your body’s natural corset muscles is a surefire way to get a flat belly naturally. Celebrity trainer Gunnar Peterson (who got Khloé Kardashian in rock-body shape) suggests doing this simple but powerful plank sequence every day: Get into a plank position (forearms on the floor, core engaged, legs straight) at just less than arm’s length from a wall. While keeping your core centered—don’t move side to side—alternate touching the wall with each hand as many times as possible in one minute. Repeat five times. The goal: Every round, tap the wall more times, says Peterson.
Ditch Alcohol Completely
Not. A. Sip. “One, it affects your sleep, and we know that in turn affects your metabolism and hunger cravings,” explains Slayton. “Two, it definitely causes you to retain extra fluid.” The third, and most damaging, reason: “You don’t burn any other fat or calories until your body rids itself of that 100-, 200-, or 300-calorie cocktail, so you’re putting yourself behind in terms of calorie-burning from the start,” she says.
Do 30 Minutes of HIIT Every Day
Your Spinning class will burn calories, but it won’t give you the powerful after-burn effect of high-intensity interval training. Oliver Lee, a trainer at Barry’s Bootcamp in New York, recommends this 30-minute circuit: For each exercise go as fast and as intensely as you can for 40 seconds, followed by 20 seconds of rest. Repeat the sequence six times. 1. Fast feet. 2. 180-degree squat jumps. 3. Squat to side kick (alternating legs). 4. Two push-ups into four mountain climbers. 5. Finish with shoulder-tap burpees: Go into a plank, touch each shoulder with the opposite hand four times, then jump up into the air.
One piece of outerwear that is making a big comeback for the fall 2016 season happens to be the bomber jacket. From the runways to fast fashion brands and everything in between, get on trend with a bomber. Think it can be worn only one way? Think again. There are satins, floral embroideries and bold prints. So wear with your favorite jeans or even over a dress for an ideal casual look. See more bomber jackets below and shop the trend.
Shining sun, Art Deco houses and skies in ice cream pastel colours , palm tress and the beach, I am just returning from a 9 day journey to Miami and to a well needed winter break. I was there for work, but shooting under the sun didn’t feel as much like it. I hadn’t been before, it’s always a pleasure to discover a place for the first time, especially when having seen so much already. Miami was super exciting and fun and it feels like there is a lot more I could discover on my next visit.
Here you go with some impressions from South beach and the Standard Miami Spa hotel where I stayed for two nights after the job. I didn’t take fully advantage of the Spa offerings, I’m more of a pool girl, but the deco alone was so worth hanging out there.
Summer is here so let’s update your playlist and your wardrobe.
Summer is a time for sun, fun, and general leisure. The best way to enhance the experience is by adding the right music. That’s why from June to August, radio stations, music sites, and social media designate the perfect summer songs and play them on repeat. Past songs of the summer have included Carly Rae Jepsen’s “Call Me Maybe” and Pharrell’s “Happy”.
A summer jam is not just any song. It is one that is usually released in the preceding spring, it’s upbeat, and it has a way of making everyone who listens to it feel instantly better. Perfect for road trips, barbecues, beach days, and festivals, a great summer song invites you to go out into the world, fall in love, or have an adventure. It sweeps you up and makes you want to dance like there’s no tomorrow.
The best time to listen to this music: when you want to get into a summertime mindset.
Here are 3 outfits inspired by the summer songs of 2016:
“Can’t Stop the Feeling” by Justin Timberlake
I love this positive song about feeling good and expressing your happiness through your dance moves. Not only is this song ebullient and exciting, but the video shows off a variety of people bouncing, bopping, and boogieing to the lighthearted track. It’s fabulous and fun.
Recreate Justin’s outfit and embrace summer whites with a striped tank and twill shorts. Make the most of those long days with a cute watch. Slip on a pair of sneakers for all your dancing needs, then finish the look with a bit of sunshine and sun shaped earrings.
“This Is What You Came For” by Calvin Harris feat. Rihanna
Calvin Harris is a master at creating songs that inspire people to dance. His third collaboration with Rihanna is no exception; “This Is What You Came For” has all the elements of a summer anthem. The perfect mesh of Rihanna’s R&B and Calvin Harris’ electronic vibes, this effervescent song stays with you long after you hear it. (And that video?! Perfection.)
Ideal for festival season, days at the carnival, and all activities that start during the day and last well into the night, this look will ensure all eyes are on you. This metallic co-ord set pays homage to Rihanna’s oversized jumpsuit while keeping you cool. Enhance your tan with a glowy bronzer. Keep your hair out of your face with embellished pins. Complete the outfit with comfy sandals and a pretty wristlet.
“One Dance” by Drake feat. Wizkid & Kyla
This song is EVERYWHERE and for good reason: It’s a true gem, and it’s from Drake’s new album “Views from the 6”. Reggae influences and a cool backing track make this the perfect track for chilling out after a long day of sun.
Whether you are hanging out around a bonfire or ambling down the boardwalk, this outfit embraces the light of summer for a vibrant look. During Drake’s performance, the lights bounce right off of him, so mirror that effect with a flowy iridescent tank. Black shorts keep the focus on the top. Beauty and function meet in a lipgloss with SPF 30 to protect your lips from the sun. Protect your eyes with cool rainbow sunnies. Trip the light fantastic with prism earrings and finish the outfit with cute, embellished flip-flops.
Have a great summer, guys!
What do you think?
What is your favorite summer song? What are you plans for the warm weather? What do you think of the outfits? Let me know in the comments!
Designers took a cue from nature this season by incorporating breezy palm-tree prints into their collections.
If you’re feeling a little pained watching the summer fly by from your office window, might we suggest a little sartorial salve by way of cheerful palm-tree prints from the Spring 2014 runway shows? More Designers sent models walking down the runway decked out in this tropical motif.
We love palm-tree prints because they transport us to the summer sands and warm breezes of vacations past. Plus, they make dressing fun and playful. Palm-tree prints are also the perfect alternative for women who find traditional florals to be too feminine.
These tropical prints have also hit our favorite stores. Check out a few of the pieces on our wish lists below and scoop up one or two for yourself.
Pitti90 presented to the party held at ‘Hotel St Regis, the new models of the line 43 ° 11 °. The company, Marka Ltd owns the Tuscan brand, during a day divided into various appointments, the first image, the Pitti Fortezza da Basso, exhibition and then, at the Hotel St. Regis. Showed the guests, operators and press, the new models Color, Silver and the new Palladium, designed for summer.
Pitti90 4311accessori # # # news # newmodel
CELEBRITIES, SPECIAL EVENTS, THE BOND BETWEEN FASHION AND ART FINDS A VERY FRUITFUL PARTNERNSHIP IN FLORENCE
A SPARKLING EDITION THAT THIS YEAR BRINGS OUT THE BEST WEAPONS OF A CITY BORN FOR BEAUTY AND STYLE
AN INNOVATIVE KARL LAGERFELD, PHOTOGRAPHER IN A PERSONAL EXIBITION EDITED BY ERIC PFRUNDER AND GERHARD STEIDL AT PALAZZO PITTI
FASHION GREAT INNOVATOR RAF SIMON’S PARADE
FAUSTO PUGLISI WITH PITTI ITALICS SPECIAL EVENT IS PRESENTING A PREVIEW OF HIS CAPSULES OF MEN’S FASHION
GALA EVENT ORGANISED BY LUISA VIA ROMA ON THE OCCASION OF HER FIRENZE4EVER, AN EVENT “ON WATER”
Pitti90 is approaching. Let’s take a look at the news of the Kermesse of Fortezza da Basso, trying to make predictions based on rumors and indiscretions of traders, exhibitors and journalists.
Speculating on the outcome of Pitti may be taken for granted, considering the increasing success, but there are variables difficult to estimate. The agenda rich of events, the selection of historical brands, and the attention paid to the emerging names and the electric and international atmosphere that makes Florence the most interesting centre of gravity of style and trends worldwide, if you follow the communications about this event, either as private or as professional operator, you will be able to understand a lot about its importance.
News, innovation, inspiration and more are expected from Pitti Immagine Uomo 90, a restless boiling magma from which many people take a cue. The precious experimentation of materials and fabrics is food for thought for designers’ new models and collections, as well as a throwback to the pure tailoring and an enhancement of our Made in Italy in its classic aspects, connotations of a style which always distinguishes the character of our Country.
A zoom on the best of “Fashion and Italian Design” (that highlights Italian new and young talents’ work) is realized in association with foreigner influences. Made in Italy and internationalization seem to be the trend.
We all know that Italian Fashion was born in Florence, but today, how can Florence exceed the dominance of Milan?
The Florentine Fashion Week, with Pitti Uomo, not only resists but it is strongly proactive, thanks to a fair hosting the best of men’s fashion offer of the world, that has several research brands and very high quality, and thanks also to a program of events, exhibitions, parades from emerging talents, successful designers and contemporary artists. This encourages the best fashion buyers of the world to come to Florence to observe new Season trends, to buy highly selected collections and to join events in one of the most beautiful and characteristic cities in the world. So it is the clever mix of high quality ingredients that builds up the Florentine successful recipe. Furthermore, the extraordinary architectural and aesthetic quality of the fairgrounds and the city is the reason why almost all the international buyers don’t miss it.
This exposition leads the world to Florence, that take advantage of a highly qualified and excellent quality business tourism flow that would be otherwise difficult to detect, and on this target, the city can improve the quality of the accommodation facilities and cultural opportunities. But not only. Italy is one of the most beloved destinations for tourists and its historic and architectural structure makes it a unique site to stage also the productive sectors, such as fashion. Therefore we hope for a continuous and strategic investment to attract the best traders and trend setters of the world in Florence.
The Bridge of Love is a conceptual installation conceived and designed by architect Claudio Nardi that symbolizes the will to provide hope to people in difficult situations. The project aims to raise public awareness for the refugee crisis and is a part of the World Refugee Day 2016 celebration event program.
Bianca Balti, guest at the charity gala dinner to inaugurate The Bridge of Love on June 13. Starting June 14, the outfit worn by the supermodel during the dinner will be available for purchase at LUISAVIAROMA.COM.
All proceeds from the gala dinner and sale of the outfit will be donated to The UN Refugee Agency (UNHCR). In particular, the ‘Lifeline Jordan’ project that provides direct economic assistance for families of Syrian refugees who have found asylum in Jordan.*
*Since the beginning of the war in Syria until now, 4.8 million people have left the country. Among those, more than 630,000 have sought refuge in Jordan. Through ‘Lifeline Jordan’, UNCHR sustains roughly 135,000 people, half of which are children, by providing each family with basic needs such as housing, food, medical care and education thanks to a contribution of approximately 1,500 euro a year. The availability of a minimum monthly income allows families to survive without spiraling into extreme poverty which could push them to consider risky decisions, such as crossing the Mediterranean.
Scaramuzzi Team +39 055494949 firstname.lastname@example.org
I’m not done covering Sydney fashion at least for this week (no worries, Milan Men’s and Couture Paris coming up soon).
With all the monochromatic looks one detail I noticed this time again, the shoes ! I haven’t seen that many black heels at once, especially the most simple version, an elegant heeled sandal with a simple strap that Gianvito Rossi and Givenchy seem to do best.
I love this type of simple heel, it will go with everything. The problem at least for me, my feet don’t look great in them, I’m yet to find the right strap placement for my toes, does this make sense ?
Here we go with many many shoes from Sydney’s fashion week, all in black, heels and flats.
Fortezza da Basso, Palazzo Pitti 14-17 June 2016, Florence
Lifestyle and fashion make for obvious bedfellows, more elegantly worded by the late Gianni Versace, one of my favorite Italian designers, who said “Don’t be into trends. Don’t make fashion own you, but you decide what you are, what you want to express by the way you dress and the way you live”. Walking in Florence, since choosing to relocate here in February, I couldn’t have a better introduction to Italian culture and the sartorial trends which have influenced men’s fashion throughout the world; than the twice-yearly, Pitti Uomo trade event which presents “…clothing and accessory collections and launching new project’s in men’s fashion.”
The exhibition, under the auspices of its corporate parent, Pitti Immagine, has provided a “Global showcase and a unifier for the national industry” since 1972, including many of today’s international fashion industry scions: Armani, Ricci, Valentino and Versace who have set the bar high for forthcoming designers. In 2016, hosting as many exhibitors and rigorously selected designers as there are statues in our museums, the Fortezza da Basso presents Hiroki Nakamura working his street apparel and cult footwear, Fausto Puglisi staging his luxurious designs using tradition fabrics, Raf Simons showing his contemporary S/S 2017 collection toGosha Rubchinskiy – this year’s guest menswear designer – showcasing his social commentary collection through media visuals, and Lucio Vanotti, the 2012 ‘Who is on Next?’ finalist known for his elegant unisex style. Concurrently, at the Palazzo Pitti, Visions of Fashion, a photographic exhibition by the iconic Karl Lagerfeld, opens to the public from 15th June inaugurating a three-year programme dedicated to the culture of contemporary fashion. This historic location more famously knows as the former residence of the Medici family, whose wealth and influence originally derived from the textile trade, offers a fitting location indeed to “promote the fashion industry as the aesthetic expression and global evolution of taste.”
NOW AND THEN: Gucci may be shaking up the fashion system with coed shows, but its chief executive Marco Bizzarri and creative director Alessandro Michele are dead set against see-now-buy-now.
The two men muse on multiple industry shifts in a 13,000-word article penned by Jonathan Wingfield — and illustrated with 50 pages of photos by Juergen Teller — in the next issue of System Magazine.
“Has anyone actually asked the customer if they want to have something available directly after the show? You hear that three bags are going to be released tomorrow in five shops, so you produce 15 bags. How many customers are you going to satisfy with that? Fifteen!” Bizzarri tells the biannual title. “Moving forward, if you want to stay away from fast fashion, I think personally we need to go in a completely opposite direction with what is being talked about.”
The executive and Michele are united about the importance of fashion shows — to a point.
“From a branding standpoint, the show represents only a fraction of our business, and the impact you actually have on the consumer is super, super tiny. I mean, what about the pre-collection?” Bizzarri says. “That is just as important as the show. So let us use the show to tell a story, and then if we need to do something to be closer to the consumer, let’s make sure that the shops today are no longer these mausoleums where you are afraid to enter.”
Adds Michele: “I love fashion shows: they’re the moment when you can give soul to the clothes. Otherwise, it is just a skirt. Fashion is about the dream and without the dream fashion doesn’t exist anymore. So I believe more and more in the fashion show, and I think that fashion needs to be more fashionable than ever before.”
The issue makes its debut Tuesday at Dover Street Market and Colette before rolling out to newsstands on May 9.
Models present creations for fashion house Gucci during the Men Fall – Winter 2016 / 2017 collection shows at the Milan’s Fashion Week on January 18, 2016 in Milan. AFP PHOTO / GIUSEPPE CACACE / AFP / GIUSEPPE CACACE (Photo credit should read GIUSEPPE CACACE/AFP/Getty Images)
Camilla Boemio is a writer, curator and theorist whose practice deals with investigating the politics of participation in curatorial practices, the intersection of culture, the social architecture, politics and contemporary aesthetics. Boemio co-founded and directed the thematic AAC platform, she is member of AICA International and she is associate curator at APT – Artist Pension Trust.
Commissioner: Mr. Nkanta George Ufot (Director – International Cultural Relations, Ministry of Information and Culture). The Biennale di Venezia 2016 will be the first time that Nigeria will feature in this world renowned event, therefore, it is absolutely necessary for us to integrate and collaborate with consultants and partners with experience and previous involvement at the Biennale. Read more => (…)
Exhibitor: Mr. Ola-Dele Kuku – (Architect – artist) – http://www.ola-delekuku.com/Bio: Ola-Dele Kuku (Lagos, Nigeria – 1963) studied at the Southern California Institute of Architecture – (SCI-Arc), in Los Angeles, California, and in Vico Morcote, Ticino, Switzerland. His private practise (Ola-Dele Kuku Projects), initiated in Milan, Italy in 1991, and focused primarily on conceptual interventions in architecture with special interest in philosophy, theory, and composition. Read more click here => (…)
About Biennale Venezia:Established in 1980 curated by Paolo Portoghesi, the Venice Architecture Biennale has developed into the world’s foremost architecture event. It’s the leading forum for the exploration of architectural ideas, the social architecture, the preeminent showcase for building design and the biggest and most publicised gathering of the international design and architecture community. What better place for the first Nigerian Pavilion’s architectural creativity and quality to take the world stage?
The Biennale promotes debate about the architectural and urban design issues confronting communities and societies around the world. It’s a highly stimulating event that brings together architects with famous careers, theorists, connections with contemporary art and young practitioners on the rise.
Some countries have permanent national pavilions in Venice; others stage their exhibitions in historic buildings. The Nigerian Pavilion have chosen an industrial building with a strong programming in the year: Punch Space where create a site-specific exhibition of architect and artist Ola-Dele Kuku.
Being at Venice feeds back into this country’s built-environment planning while also telling the world that what we do here has its own distinctive character.
The Biennale kicks off with the two-day Vernissage – one of international architecture’s most prestigious occasions – which includes a host of opening parties and opportunities to tour the exhibitions and meet their curators.
Each Biennale has a theme set by the events director, to which the creators of the national exhibitions respond. The Biennale appeals to a large and highly focussed audience: architects and designers and urban planners, naturally, but also companies that support architecture, clients that commission it, institutions that teach it and the media that publish it.
In 2014, 66 countries staged exhibitions and the Biennale attracted 240,000 visitors. More than 3,300 media were accredited, and 120 universities took part in the Biennale’s educational programme. So also this year we will have an amazing audiences! Visit the La Biennale website http://www.labiennale.org/it/architettura/mostra/
‘Diminished Capacity‘ intends to analyze an historical transaction moment with the ambition to rewrite history, starting from Nigeria to provide unpublished interpretations.
In this condition rewrite history becomes a necessary evolution. The wrong reading of Africa transforms continent itself in a country poised in perpetual opposition to restlessness; what is its identity being a ghetto in forms and structures unsuitable? The Africa is not a country. In that conflict the first Nigerian Pavilion wants to prospect a new methodologies.
Conflict is one of the recurrent themes in the work of Ola-Dele Kuku. The architect-artist sees that as one of the driving mechanisms in our world, and as a tool to set change in motion. ‘Conflict has played a crucial role since the dawn of creation, just think of the stories of the Big Bang and the paradise of Adam and Eve’. Throughout his practice, Ola-Dele Kuku has consistently re-shaped representation in a timely challenge. Working with both drawing, installation and sculpture, he has revisited the mainstays of architectural representational methods – plan, elevation, section – to inject unsettling slippages into their rigorous formalism. This new body of work fully embraces an analytic socio-philosophical visceral slant, confronted complex issues such as resource depletion and their manipulation, migration, micro and macro global changes, an alternative vision of west Africa, growing impoverishment and the diminished capacity of a country in a multiplication use of manipulation strategies .
Associate Curator: Mr. Koku konu (architect – critic) Lagos, Nigeria.
Project Manager: Mr. Fabrizio Orsini
Co-founder – AAC Platform, Italy.
Exhibition Promotion and Communication: Mrs. Kavita Chellaram
Director – Arthouse Contemporary Limited, Lagos, Nigeria
Collaborators – Sponsors:
Federal Ministry of Information and Culture, Abuja, Nigeria.
Embassy of the Federal Republic of Nigeria, Rome, Italy.
Arthouse Contemporary Ltd, Lagos, Nigeria.
KU Leuven – St Lucas Architecture, (Int Masters Programme) Gent, Belgium.
LMS Gallery, Brussels, Belgium.
Philippe Laeremans Tribal Art Gallery Brussels, Belgium
‘Agenda Setting’ (neon series) Africa is not a country!
2016 courtesy ola-dele kuku projects.
Footwear designers may or may not have been thinking of Destiny’s Child singing “Bootylicious” when creating their fall lineups. But they certainly had booties on the brain. The collections were awash with ankle-high or lower calf-hitting creations, and their incarnations were many. Balmain did a regal, black and gold military style that featured a nine-strap closure over a gilded inset. Roger Vivier’s purple suede version sported cheerful pink, green and blue laces.Francesco Russo showed more detail than normal with a sexy open-toe and open-braided black number that had a hint of dominatrix.